Regular readers of this newsletter may recall that the person featured in October for this ongoing monthly series called “Artists of the Abbey” was Eileen McGuire (1920-2016), who also wore several other hats in her long career at Portsmouth (going back to the days when most women wore hats, especially to church). We rarely have the opportunity to spotlight a husband-and-wife team of artists in back-to-back articles, but that is exactly what we have been planning to do. This month’s feature focuses on Eileen’s husband, Donald Thomas McGuire (1919-1986). As previously revealed here, the couple was known by their nicknames within the family circle, “Muzz” for mom and “Dado” for dad, and it is that playful familiarity which sets the tone for us.
Following his graduation from high school, Donald entered the Rhode Island School of Design in 1936. One of his teachers was John R. Frazier (1889-1966) who himself had matriculated from RISD in 1909 (Painting) and 1912 (Normal Art), joined the faculty in 1923, and became the Head of the Painting Department. This detail is key to understanding the influence that Frazier had on a group of young artists, Donald McGuire included, who are known as the “Artists from the Frazier Tradition”. Others were Robert Hamilton, Florence Leif, and Gordon Peers, all painters, as well as sculptor Gilbert A. Franklin whose Polytropos is sited mere yards from the Donald T. McGuire Fine Arts Center. The program for the dedication of the McGuire Center notes that Frazier “truly believed in art for art’s sake and passed that on by example in those early years.”